Upoznavanje za uspešne muškarce i lepe devojke - Lepotica i Zver

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To je sve što ja znam. Arthur Le Gall is a senior consultant and researcher at KEA specialised in policies for the sport, audiovisual, cultural and creative sectors. In 1992, she joined the staff of Europa Nostra and in 2000, she was appointed as Secretary General.

In 2006 she joined Fondazione Cineteca Italiana where she is appointed as project manager, being responsible for the movie theatre Area Metropolis 2. Pa ne traži se Sex na netu. From December 2011 to March 2013 he was appointed as Chairman of the Board of. In 2006 she joined Fondazione Cineteca Italiana where she is appointed as project manager, being responsible for the movie theatre Area Metropolis 2.

Upoznavanje i druženje

Its 2017 edition will also mark the official launch of the European Year of Cultural Heritage 2018, the thematic EU year devoted to our common cultural assets and all their aspects. The event, for the first time outside of Brussels, will take place at Superstudio in the booming creative neighbourhood of Tortona in Milan. This extraordinary event venue, once a bicycle factory and then a place for fashion publishing and art created by a renowned Italian art director Flavio Lucchini in the 1980s, will provide an inspiring and thought-provoking decorum for lively discussions, unexpected meetings and fruitful exchanges. Can culture help to tackle European and global challenges? Does cultural heritage matter to Europeans? How can culture in cities and regions help to shape more cohesive and inclusive societies? Come to Milan to discuss, listen, think and get inspired. It surrounds us in the buildings of our towns and cities and is expressed through natural landscapes and archaeological sites. It is made up of buildings in our towns, natural landscapes, archaeological sites, literature, art and objects, but also by the crafts we learn, the stories we tell, the food we eat and the films we watch. Cultural heritage brings communities together and builds a shared understanding of the places in which we live. The aim of this session is to discuss the place of cultural heritage in the European Union and in the world, and to come to see it as a resource from the past, but also as an important and unique asset for the future. How to valorise our heritage and make it accessible? How to preserve it for the next generations? How to make sure that the decisions about our cultural heritage are made in an inclusive and participatory manner, locally and on a higher level, national, European and beyond? Session 2: Challenges for Culture in Europe: 2007, 2017, 2027? How can culture, creativity and cultural heritage respond to global and European challenges — nowadays and in the years to come? What is the role that culture plays and can play in our cities, regions, societies, communities, countries? Is this document still fit for purpose and does it respond to the most pertinent needs and challenges that the EU is facing? How important are its three strategic objectives: promotion of cultural diversity and intercultural dialogue, promotion of culture as a catalyst for creativity and promotion of culture as a vital element in the Union's international relations? Session 3: Culture in cities and regions: closer, better, faster, stronger? Culture and creativity are flourishing in European cities. The discussion will focus on how best to include culture in the wider context of local and regional policies, in particular from the angle of social cohesion. It will bring an unparalleled series of initiatives and events across Europe to enable people to enjoy, learn and become more involved with their cultural heritage. How can we make the most of this unique opportunity? How can we raise awareness on the benefits that cultural heritage brings to all of us? How we can encourage its regeneration and links with contemporary creation? This session will inform about the current plans and the opportunities for the cultural organisations, artists and cultural heritage professionals at the EU level. What are the common challenges faced on the local level? How to measure culture and creativity, using both quantitative and qualitative data? This session, based on peer-learning project and the first edition of , will try to tackle these questions in an interactive, practical and hands-on manner. Films of the past for the future of film are widely used in film education initiatives and have a fundamental role in transmitting the passion for European cinema to younger generation. This session will explore how films of our past will support the creation of a future sustainable audience for European works in the future. Creative spaces — reinventing tomorrow's shared heritage Creative spaces might vary in size, scope or financing model, but they play a key role to bring communities together, create economic and creative value. This session will present lessons learned and current trends in the sector as well as main recommendations to enable a wide variety of models for creative spaces in the dawn of the 21st century. Practical examples will be drawn from the Creative Europe co-funded projects and the , and. Creative Europe and integration of migrants and refugees — one year later Last year, Creative Europe joined the common EU effort to face the extraordinary number of migrants and refugees reaching Europe, by launching a to support the integration of migrants and refugees through culture. One year later, let's learn about their first achievements and challenges, in their fight for integration and intercultural dialogue. Cultural heritage and civil society - together for heritage Civil society is at the soul of cultural heritage. In times of budget constraints, its sustainability often relies on people's good-will, dedication and engagement. The involvement of civil society can also bring an added value to the public discourse, and help innovative ideas to spread, at national and European level. This session will explore how various stakeholders are helping to bring cultural heritage to the fore in Europe and how they are structuring their actions to make the European Year of Cultural Heritage 2018 a success. The Game Jam was organised in parallel to the Forum, in cooperation with the VIGAMUS and the European Federation of Game Archives, Museums and Preservation Projects EFGAMP. Eight teams of game developers and students from Italy, United Kingdom, Finland, France, Poland and Switzerland participated. On the basis of the announced theme, 'Our heritage: where the past meets the future', the teams created short games from scratch, crafting all their aspects. The game demos were then evaluated by the Jury and the winners were presented at the closing of the European Culture Forum 2017. Congratulations to all the teams and participants! Attendance at this event is by registration only. Superstudio Più via Tortona 27 Milan 20144 Italy About the venue Find out more about the history of the. How to get there? The venue is wheelchair accessible and all rooms are located on the ground floor. Plenary sessions will be available via webstreaming. European Culture Forum Next Door at BASE Milano A parallel , open for all participants with forum bages, will be offered at BASE Milano, in the immediate vicinity of Superstudio, by the Italian Ministry of Cultural Heritage, Cultural Activities and Tourism, the Milan City Council and Cariplo Foundation. Forum participans are invited to stop by on the evening of December 7th to close the first day of the European Culture Forum 2017 with a poster session, networking opportunities and entertainment. Further information on the. Intangible Cultural Heritage under Pressure — an evening talk On December 7th, from 19. The event takes place at My Own Gallery, Superstudio. Participants with Forum badges are welcome. Please come early to secure your place. Also check out what is on at: Panoramic floor on the 39th floor accessible to visitors on the 3rd and 10th of December Caravaggio and Toulouse Lautrec exhibitions curently on Born in Varese, Italy, on 15 March 1955. Married with three children. He was elected Member of the Italian Parliament the first time in 1992. The following year he joined the first Berlusconi administration as Deputy Prime Minister and Minister of the Interior. In 2001, after once more being returned to Parliament, he served as Minister of Labour and Social Policy Welfare under the Second and Third Berlusconi Administrations. In 2008, he was re-elected to the Chamber with the Lega Nord Padania. Under the fourth Berlusconi administration he served as Minister for Internal Affairs. Polling 43% of votes cast, he was elected President of the Lombardy region in elections held on 25-26 February 2013. In his free time, he plays Hammond organ in Soul group Distretto 51. Giuseppe Sala was born in Milan in 1958. He has held various positions of responsibility in both the private and public sector, gaining important professional managerial experience. In the private sector, he took leading roles in major companies, such as Pirelli and Telecom Italia. From January 2009 until June 2010, he served in the public sector as City Manager of the Municipality of Milan. He was then appointed CEO of the company managing the Universal Exposition, Expo Milano 2015. In 2013, he was appointed Commissioner of the Government for the Expo. His love for Milan and his willingness to make it a fairer, more international and more attractive place led him to commit himself to politics. He was elected Mayor of Milan in June 2016. Giuseppe Sala holds a Degree in Economics and Business Administration from Bocconi University. Tibor Navracsics took up office as European Commissioner for Education, Culture, Youth and Sport on 1 November 2014. Before becoming Commissioner, he held ministerial posts in successive Hungarian governments: as Deputy Prime Minister and Minister of Public Administration and Justice from 2010 to 2014, then as Minister of Foreign Affairs and Trade from June to September 2014. Tibor Navracsics was a member of the Hungarian Parliament from 2006 until he became European Commissioner. He led the Fidesz Group between 2006 and 2010. He holds a law degree and a doctoral degree in political science. In the 1990s, Tibor Navracsics started to teach at the University of Economics in Budapest. Dario Franceschini Ferrara, 19 October 1958 is an Italian lawyer, writer, and politician, and Minister of Cultural Heritage and Activities and Tourism since 22 February 2014. From 22 December 1999 to 11 June 2001 he was Undersecretary of State in the D'Alema II Cabinet and then in the Amato II Cabinet, whereas from 28 April 2013 to 22 February 2014 he was Minister for Relations with Parliament and the coordination of government activity in the government of Prime Minister Enrico Letta. Secretary of the Democratic Party from 21 February to 25 October 2009 and the first Chairman of the Olive Tree group in the Chamber from 2006 to 2008, he then was the Chairman of the Parliamentary Group of the Democratic Party from 17 November to 19 March 2013. Dario Franceschini Ferrara, 19 ottobre 1958 è un politico, avvocato e scrittore italiano, dal 22 febbraio 2014 Ministro dei beni e delle attività culturali e del turismo. Dal 22 dicembre 1999 all'11 giugno 2001 è stato Sottosegretario di Stato alla Presidenza del Consiglio dei Ministri nei governi D'Alema II, Amato II, mentre dal 28 aprile 2013 al 22 febbraio 2014 è stato Ministro per i Rapporti con il Parlamento e il coordinamento dell'attività di governo nel Governo Letta. Segretario nazionale del Partito Democratico dal 21 febbraio al 25 ottobre 2009 e primo presidente del gruppo dell'Ulivo alla Camera dei deputati dal 2006 al 2008 e successivamente di quello del Partito Democratico dal 17 novembre 2009 al 19 marzo 2013. Indrek Saar took up office as Estonian Minister of Culture on 9 April 2015. As Minister, he is in charge of developing and implementing national policy in the areas of fine arts, sport, heritage conservation, media and integration. Prior to becoming a Minister, he was a member of the Estonian Parliament from 2007 onwards until his assuming office as the Minister of Culture in 2015. He has considerable experience in directing cultural organisations having worked as the director of several Estonian theatres since 1996 until 2007. From 2002 to 2007, he acted as the Deputy Chairman of City Council of Rakvere - the seventh largest city of Estonia. Since 2015, Indrek Saar is Deputy Chairman of the Estonian Social Democratic Party. Indrek Saar holds a MA degree in Theatre Studies and is a graduate of the Drama School of the Estonian Academy of Music and Theatre 1996. Photographer : Kadri Purje Petra Kammerevert is a Member of the European Parliament since 2009, representing the cities of Krefeld, Düsseldorf, Krefeld, Mönchengladbach, Remscheid, Solingen, Wuppertal and the administrative districts Mettmann and Neuss. Petra Kammerevert currently chairs the Committee on Culture and Education apart from culture and education, the committee is responsible for information society, media, youth and sports policy. She is also a member of the Delegation to the EU-Montenegro Stabilisation and Association Parliamentary Committee and a substitute member of the Delegation to the EU-Albania. Her main political activities include media, culture, youth politics and sports. Born in Brescia, Italy, on May 28, 1978. She graduated in Law, with a comparative thesis on the role of European political parties in the national states crisis. She had a number of working experiences in the legislative field at the Presidency of the Council of Ministers and the Chamber of Deputies, mainly dealing with constitutional reforms and comparative public law. She has been a member of the Board of Directors of the Institute for Social Affairs IAS. She is author of poetic and narrative texts and has been awarded in many literary competitions nationwide. In March 2013, she was appointed Lombardy Regional Minister for Culture, Identity and Autonomy. Born in Milano in 1970, he graduated in Composition in 1995. His music has been performed by Luciano Berio, James MacMillan, David Alan Miller, Dimitri Ashkenazy, John Axelrod, Enrique Mazzola, Carlo Boccadoro, RAI National Symphony Orchestra, London Sinfonietta, California EAR Unit, Almeida Opera in various festivals, theatres and concert halls including the South Bank Centre London , Internationale MusikFestwochen Luzern , Bang On A Can Marathon New York , Konzerthaus Berlin , Festival de Radio France et Montpellier, Teatro alla Scala, Biennale Venezia. The City of Copenhagen, European Capital of Culture in 1996, invites him to participate in the collective composition of European Requiem, written by young poets and composers from different areas and cultures of Europe. In 1997, in collaboration with Carlo Boccadoro and Angelo Miotto, he founds the group for contemporary music. The opera is premiered in Milano and then performed in Torino, Mantova and Roma. After a long work in progress the opera is premiered in 2008 Milano. In 2009 the international Festival MiTo Settembre Musica produces his work Io Hitler, on a text by the Italian writer Giuseppe Genna. The staging, directed by Francesco Frongia and conducted by Carlo Boccadoro, takes place at Teatro Franco Parenti in Milano. His works have been recorded for different labels such as Cantaloupe, RaiTrade, BMG Ricordi, EMI Classics, Sensible Records, Stradivarius and Thymallus; his music is published by , , and. From December 2011 to March 2013 he was appointed as Chairman of the Board of. In March 2013, he was appointed Deputy Mayor for Culture of Comune di Milano. Actor, writer and politician, Mircea DIACONU is one of the best-known Romanian personalities of our times. In 2014 DIACONU ran as independent and was elected as Member of the European Parliament. In 2016, Mircea Diaconu was designated EP's Rapporteur for the European Year for Cultural Heritage 2018. Born in Rome on 4 August 1953, Antonio Tajani is the son of an Italian army officer and a Latin and Greek professor. He lived in France for five years, where he and his family accompanied his father to NATO command. He holds a degree in law from La Sapienza University in Rome. Mr Tajani completed his military service as an officer in the Italian Air Force. After attending a specialised air defence course at Borgo Piave di Latina, he joined the NATO Air Defence Ground Environment NADGE. Mr Tajani was a professional journalist for more than twenty years. He started out as a presenter of news programmes on Rai Radio 1, the Italian state broadcaster, and was a special correspondent in Lebanon, the Soviet Union and Somalia. A co-founder of Forza Italia, in 1994 he was elected to the European Parliament for the first time, the genesis of what have turned into more than two decades of profound engagement with the European Union and its citizens. He was appointed European Commissioner for Transport in 2008. In 2010, he became European Commissioner for Industry and Entrepreneurship. He was re-elected to the European Parliament and as one of its vice-presidents in 2014. Campaigning on a platform that promised to have the presidency focus on actively supporting the work of Members while bringing the institution closer to EU citizens, Mr Tajani was elected President of the European Parliament on 17 January 2017. At the heart of her work always is intense collaboration and musical input from young people. She has composed operas in 12 different languages, presented and devised BBC Proms and received commissions from the London Symphony Orchestra, Glyndebourne, City of Birmingham Symphony Orchestra, BBC Concert Orchestra and Royal Opera House. The Freedom Game opera 2015 received its premiere at the Royal Albert Hall for 1200 performers and Beautiful World 2016 won the Education Middle East Performing Arts Award at the National Theatre, Abu Dhabi. Sought as a guest artist, she has collaborated with the Chamber Orchestra of Europe, Opéra de Dijon, Royal Concertgebouw Orchestra, Luxembourg Philharmonie, LʼOrchéstre de Paris, Muziekcentrum Van De Omroep, and Melbourne Symphony Orchestra. She has directed opera residencies in Serbia, France and Sweden and been engaged as a consultant in creative educational practice and audience engagement by the Royal Danish Opera, Het Muziek Theater, Fundacja Nowa Orkiestra Kameralna, Amsterdam Sinfonietta, De Nederlandse Bach Vereniging and Songbound, India. Current projects include Towards Another World, a promenade opera about exile for the English National Opera. Norman Jardine is currently Head of Internal Communication at the European Commission in Brussels. In this role and in his previous role as Head of Learning and Development, he has designed and facilitated hundreds of Away Days and large group events with staff at all levels of the organisation. He was previously Head of Learning and Development in the Commission, and worked for a number of years as a management trainer in the UK Office for National Statistics. A former punk rocker, in his spare time he runs his own record label. Johannes Ebert has been Secretary General of the Goethe-Institut since 2012. He read Islamic Studies and Political Science in Freiburg and Damaskus and thereafter worked as a journalist. After periods as an instructor at the Goethe-Institut in Prien, as a language course consultant at the Goethe-Institut in Riga and as deputy head of the Public Relations division in the Munich head office, he was director of the Goethe-Institut Kiev from 1997 to 2002. From 2002 to 2007 he was director of the Goethe-Institut in Cairo and regional director for North Africa and the Middle East. Subsequently, he served as director of the Goethe-Institut in Moscow and regional director for Eastern Europe and Central Asia from 2007 to 2012. Katherine Watson moved from Canada to join the European Cultural Foundation in 2006 and has been Director since 2010. Prior to working with ECF, Katherine's international experience, from both sides of the Atlantic, has combined interdisciplinary production with advocacy, research, policy and programme development for nonprofit arts and culture organisations and all levels of government. She has particular interest in investigating the impact of the digital shift on our lives, in fostering the intersection of art and culture with other fields of endeavour and in enabling voices from all corners of civil society. Katherine is the Cultural Leader in Residence for a Research Masters Programme in Cultural Leadership at Groningen University. She is currently Vice Chair of the European Foundation Centre, a membership organisation for institutional philanthropy that was instigated by ECF and in which ECF plays an active part. The European Cultural Foundation ECF was founded in Geneva in 1954. Based in Amsterdam since 1960, ECF is a grant-making and impact driven incubator that accelerates, catalyses, connects and communicates civil society initiatives through arts and culture that rethink and build Europe as an open, inclusive and democratic space. For the past twenty years, she has been working in the field of cultural heritage at the Transylvania Trust, and in the last few years, she had the opportunity to work at the highest national and international level. In 2014, Csilla Hegedüs was appointed as State Secretary responsible for cultural heritage and, for a short while, the Minister of Culture and Vice Prime Minister of Romania. She has worked and lived mainly in Cluj Kolozsvár , Transylvania, Romania. She strongly believes that cultural heritage is the strongest asset on which we can build the sustainable, inclusive future of all in the European Union. She was Chair of the Committee on Culture and education of the European Parliament 2014-2016 and rapporteur for the European Parliament of the Creative Europe Programme 2014-2020. She was Lazio regional councillor responsible for education, educational rights and training 2005-2009 ; member of the Italian Chamber of Deputies for three parliamentary terms; member of the Committee on internal affairs, the Committee on culture, science and education and the Committee on general guidance and monitoring of radio and television services 1985-1993. State secretary at the Ministry for universities, scientific research and technology 1993-1994. She was chair of the European advisory committee on equal opportunities during the 1996 Italian Presidency of the EU and head of the EU delegation to the annual session of the UN Commission on the Status of Women 1996. President of the Academy of Fine Arts, Rome 1995-2005. Omilanowska studied history of art at Warsaw University and history of architecture in Berlin at the Technical University. She works as a professor at the Institute of Art of the Polish Academy of Sciences in Warsaw, and since 2006 she is professor of history of art at Gdansk University. From 2012 to 2014 she was deputy minister of Culture and National Heritage, and from 2014 to 2105, minister of Culture and National Heritage of the Polish Republic. She specializes in 19 th and 20 th century architecture, publishing works on such issues as engineering architecture, city planning, commercial architecture, educating architects in the 19 th century, as well as research of national style and national and regional identity in the architecture of Central-European countries. She was a fellow of many scientific institutions in Europe like British Academy, Russian Academy of Science, Geisteswissenschafliches Zentrum Geschichte und Kultur Ostmitteleuropas in Leipzig Herder Institute in Marburg and Institute for Advanced Study in Berlin. She has published 9 books on history of art and many articles. She is a member of the Orders: Order of Merit of the Italian Republic Knight Grand Cross , Order of Orange-Nassau Knight Grand Cross , Order of the Lion of Finland Commander Grand Cross and Ordre des Arts et des Letters of France Commandeur. She obtained a degree in International Law in Belgrade former Yugoslavia and in European Law and Politics in Nancy France. She worked for European institutions in Brussels and then for the European Commission Delegation in Belgrade. She was one of the founders and the first Secretary-General of the European Movement in Yugoslavia. In 1992, she joined the staff of Europa Nostra and in 2000, she was appointed as Secretary General. She cooperates with the EU institutions, the Council of Europe and UNESCO on heritage matters. She has written many articles on Europe and cultural heritage. Pier Luigi Sacco is Professor of Cultural Economics, IULM University Milan; Senior Researcher, metaLAB at Harvard, and visiting scholar at Harvard University. Since January 2018, he will be Director of IRVAPP, the Foundation for Public Policy Evaluation of Bruno Kessler Foundation, Trento, Italy. He works and consults internationally in the fields of culture-led local development and is often invited as keynote speaker in major cultural policy conferences worldwide. Alexandra SZALAY-BOBROVNICZKY took up office as Deputy Mayor of Budapest for Human Affairs on 4 November 2014. She is responsible for performing duties related to culture, education, social policy, youth policy, sports, environmental protection, tourism and city image. In this broad area, it falls within her competence to supervise the activities of theatres, museums, sports centres, retirement homes and various other institutions. She pays particular attention to duties related to city image with the aim of making Budapest a popular and more visible city for its residents and its visitors alike. Prior to this, she was a Member of the General Assembly of Budapest FIDESZ-KDNP alliance. Alexandra SZALAY-BOBROVNICZKY holds a degree from the Pázmány Péter Catholic University, Faculty of Law and Political Sciences, where she majored in Law. Dr Beatriz Garcia is the Director of the Institute of Cultural Capital and senior Research Fellow in Communication Studies at the University of Liverpool. Dr Garcia has been at the forefront of research on the rhetoric and impact of culture-led city regeneration interventions since 1999. Major projects include a review of all available evidence on the first three decades of the European Capital of Culture programme ECoC ; the pioneering Impacts 08 programme, a longitudinal 10-year study on the socio-economic and cultural impacts of Liverpool as 2008 ECoC; the first nation-wide legacy assessment of a Cultural Olympiad, focusing on the London 2012 Olympic Games; and the first comprehensive study of the 20-year legacy of hosting an ECoC, focusing on Glasgow post-1990. To conduct this research, Beatriz has been funded by national and international bodies such as the European Parliament, European Commission, International Olympic Committee, British Council, British Academy and Research Councils UK. Sound Diplomacy is the leading global advisor on growing music and night time economies in cities and places. Through Sound Diplomacy, he has consulted for over 10 developers and 20 cities, including developing the Cuban official music strategy for the United Nations and working on developing 6 venues across the UK. He has delivered a TEDx talk on the value of music to cities and spoken at the European Parliament, MIDEM, MIPIM, SXSW and in over 40 countries, from Uganda to Chile, Estonia to Canada. Sound Diplomacy currently works in over 20 countries and counts the Mayor of London, United Nations, Canadian Government and German Department of International Trade as clients. Shain holds a PhD from the University of London and was one of the top 10 Creative Entrepreneurs in Britain in the British Council's h100 list. Michael Walling is Artistic Director of Border Crossings - an intercultural theatre company, which creates new productions in collaboration with artists from a broad range of cultural backgrounds. Recent projects have included co-productions with companies from the Palestinian Territories, China, India, Sweden, France and Ghana. Border Crossings also works in educational and community settings, as well as engaging with the development of cultural policy. Michael was an active member of the Platform for Intercultural Europe, co-hosting the 2011 Practice Exchange, and co-wrote the 2016 Voices of Culture report on arts and refugees. The City of Leeuwarden in the North of the Netherlands is the European Capital of Culture in 2018. Leeuwarden — Fryslân was elected out of five Dutch cities to be the capital, because it presented a program in which art is seen as a catalyst for change. The programme is developed in a bottom-up process, a working method that is crucial for the organisation. Oeds Westerhof led the organisation during the competition. After winning the bid, he became member of the board of directors. His main responsibility is the legacy of the capital of culture. Before he started working for the capital of culture, Oeds Westerhof was working as a managing-director in museums, theatres, libraries, festivals, art schools and cinema centres. He also worked as a consultant on culture policy for cities, regions and the national government in the Netherlands. Vassilis Charalampidis was born in Athens in 1975. He is a founding member and the artistic director of BIOS, a cultural centre for art and new media, and of Romantso, the first Greek Creative Industries Incubator. He worked as an artistic director for many years in advertisement companies and communication services. In 1999, he established his own record label to release his own music and music of young Greek producers. In 2001 he started the BIOS project, both as a venue and as the first international new media festival in Greece and he gets exceptional critics from the Greek and international press. Since then, he has been curating numerous events and performances concerning urban culture, new media and various expressions of contemporary artistic creativity, and he has directed shows that explore the limits and boundaries between live performance and installation. Marco Alessi began his career in film industry in 1998 as assistant then directing and producing music clips and documentaries. Since 2001 has also been working as a writer and creative producer for several major production companies and Italian broadcasters. His screen credits include successful tv series and cinema box office hits. In 2010 he established his own company: Dugong Films. The aim: to produce engaged experiments on the blurred line between fiction and reality. Its productions won major awards and have been selected in festivals such as Venice, Locarno, Berlino, Rotterdam, New York. Mieke Renders is the Managing Director of Trans Europe Halles. Mieke was born in Belgium in 1975 and is passionate about music, culture and languages, having lived in several countries. She is a strong believer in the independence of cultural operators, and their capacity to self-organise in networks in order to achieve greater impact. Many years later, she shifted more into the living arts and made connections between heritage and performing and visual arts. Networking is a passion, which she can now develop for Trans Europe Halles. Trans Europe Halles, 2017 Dr. Kai Huotari born 1972 has 17 years of management experience in cultural organisations, academia and technology. Since November 2015, Huotari has worked as Managing Director at , the largest cultural centre in Finland. Previously, Huotari held managerial positions at EIT Digital Helsinki, at Helsinki Institute for Information Technology HIIT, and at DocPoint — Helsinki Documentary Film Festival. In 2010-2012, Huotari worked as visiting scholar at UC Berkeley School of Information. Huotari has an MA degree in filmmaking, a MSc degree in computer science and a doctoral degree in economics and business administration. He has published in the areas of gamification, service marketing and social media. Photograph of Kai Kuotari by Patrik Rastenberger Damien Helly is Head of cultural skills, EU for the British Council Arts, Europe. He leads on two EU-funded multi-year projects namely European Creative Hubs Network and Live Skills. Damien has 20 years of management, innovation, policy influence and research in international and European affairs ECDPM, EUISS, Crisis Group, Saferworld. He was one of the 4 independent experts of the EU Preparatory action on culture in external relations. He is also visiting professor at the International Relations and Diplomacy Department of the College of Europe in Bruges where he teaches a Masters level course on Culture, States and societies: national factors in EU external action. ECHN runs for 2 years, and Roxana has been working together with 7 partners across Europe and more than 150 creative hubs, to ensure meaningful impact within the creative hubs community and at policy level. Her previous experience includes working as EU Affairs Manager for the British Council in Brussels, and as a Network and Communications Officer for EUNIC Global — the European Union National Institutes for Culture network. She completed her studies at the West University of Timisoara UVT, Romania and Université Libre de Bruxelles ULB. Photographer: Adi Hadade Julie Hervé is a senior policy advisor at , the European network of large cities. She manages the activities of the EUROCITES Culture Forum, gathering representatives from more than 130 European cities, and of specialised working groups. She develops policy positions and publications on various aspects of culture in cities and represents the interest of member cities towards the European institutions. She managed Culture for Cities and Regions 2015-2017 , an initiative funded by Creative Europe aimed to help cities and regions share knowledge on how to make. Arthur Le Gall is a senior consultant and researcher at KEA specialised in policies for the sport, audiovisual, cultural and creative sectors. He designs methodologies to assess the contribution the cultural and audiovisual sectors to the wider society and economy, and engineers support programmes and policies for the cultural and creative sectors. Arthur also delivers strategic advice to local authorities on the role of culture and creativity for local development and to nurture arts, culture and creativity across territories. David Hill is the Founding Director of , a UK cultural development agency that acts as both a Creative Producer and Strategic Arts Consultancy. ArtReach has delivered three collaborative Creative Europe projects as Lead Partner and is also instrumental, as lead consultant, in developing a range of new venues for cultural activity. Prior to establishing ArtReach, David was a theatre director and practitioner, having been Associate Director at Cheltenham Everyman and Artistic Director of Theatre Station Blyth in Northumberland. His particular theatre expertise has been developing and directing new writing, and delivering large scale community and youth engagement projects. David also spent five years as Marketing Director of the 2,000 seat Birmingham Hippodrome, a major UK touring venue presenting national and international companies. He is a graduate in Drama and English from Hull University. Anusha Caroline Andersson is the coordinator of culture through development in the municipality of Botkyrka in Stockholm County. She is the founder and director of the organization Historieberättarna Storytellers. She studied at the university of Stockholm, The Royal institute of Art and Stockholm Academy of Dramatic Arts. For 12 years, Anusha has been working for and with children and youth in different projects in the cultural sector, for example at the Culture house in Stockholm and The Swedish Radio Theater. Historieberättarna is part of the project Storytelling Without Borders that received a grant through Creative Europe. For more than forty years, Jordi Savall, one of the most versatile musical personalities of his generation, has rescued musical gems from the obscurity of neglect and oblivion and given them back for all to enjoy. A tireless researcher into early music, he interprets and performs the repertory both as a violist and a conductor. His activities as a concert performer, teacher, researcher and creator of new musical and cultural projects have made him a leading figure in the reappraisal of historical music. He founded the ensembles Hespèrion XXI 1974 , La Capella Reial de Catalunya 1987 and Le Concert des Nations 1989. Uwe Koch was born on the 24 th of September 1958 in Berlin. He is a graduate in sociology from the Humboldt University Berlin. Before his appointment of 1 June 2015 as head of the German National Heritage Board he held different senior positions in the Ministry of Science, Research and Culture of the state of Brandenburg since 1991. From 2002 he directed the Department of historic monuments, the UNESCO-World Heritage sites of the palaces and gardens of Berlin and Potsdam, heritage foundations, memory culture and museums in the state of Brandenburg. Uwe Koch has more than 25 years of experience in government administration for cultural heritage and heritage management. He was the coordinator to prepare the initiative for a European Year of Cultural Heritage 2018 and now he is the national coordinator for the European Year of Cultural Heritage 2018 in Germany. He has been managing some large exhibition projects 1998 Onder den oranje boom, 2014 Preußen-Sachsen-Szenen einer Nachbarschaft. There he is the head of the Dr. He lives in Potsdam. He is a cofounder and President of Fondazione Fitzcarraldo, an independent operative foundation, based in Turin, Italy, active transnationally in research, consulting, training for arts management and cultural policies and economics. In 2006 he created ArtLab, a cross-sectorial, multi-stakeholder platform to contribute to innovating the practices and policies in and through arts and culture. He acts as consultant and advisor for public institutions, national and international foundations and arts organizations on strategic development, feasibility plans, projects development, impact evaluation, stakeholder engagement. He conceived and realized the first Meeting of European Networks in 1996, initiated the Foundations and networks Forum in 2005; was advisor to the World Cultural Forum and to the Asia Europe Foundation and involved as a trainer and speaker in Europe and beyond. His priority is bridging the business world, the civil society, the artists, public authorities, cultural organizations and creative industries in order to boost the full potential of art and culture in human development. Graduated from La Fémis French National Film Academy , she has been working as a director of photography during 12 years, and co-directed « My Palestine » a documentary selected by many international festivals and broadcasted on Arte channel. Parallel to these activities, she has been working for several years as a trainer in film academies and as film educator in high schools. Also graduated from the Institute of European Studies at University Paris VIII European Cultural Policies and Management , she wrote two studies: one on the artistic documentaries on VOD platforms and one other on film education European policy challenges. Head of Secretariat, Danish Media Council for Children and Young People. General Manager of Awareness Centre Denmark EU Connecting Europe Facility Programme. Since 2015, the secretariat for the Danish Media Council for Children and Young People has been an integral part of the department. The Media Council is appointed by the Danish Minster for Culture. Previously, Claus held the position of Senior Advisor at the Danish Ministry for Culture and at Local Government Denmark. Claus holds a Master's Degree in Political Science. Silvia Pareti graduated in cinema history and criticism at Università Cattolica del Sacro Cuore in Milan. From 2002 to 2006 she was appointed Chairman of the Board for the publishing house. In 2006 she joined Fondazione Cineteca Italiana where she is appointed as project manager, being responsible for the movie theatre Area Metropolis 2. The Kimia Ghorbani's folk quintet performs a repertoire of original songs of Persian artists. The songs are inspired by the tradition of classical and contemporary Iranian poetry. The music, characterized by the fusion of oriental elements, folk, jazz and the Mediterranean influences, are original, vivacious and colourful, composed by the author in collaboration with the other musicians.

She is the founder and director of the organization Historieberättarna Storytellers. Koji god podatak da tražimo, sve to možemo naći na internetu. For more than forty years, Jordi Savall, one of the most versatile musical personalities of his generation, has rescued musical gems from the obscurity of neglect and oblivion and given them back for all to enjoy. Subsequently, he served as director of the Goethe-Institut in Moscow and regional director for Eastern Europe and Central Asia from 2007 to 2012. In 1999, upoznavanje net forum europeo established his own record label to release his own music and music of young Greek producers. His love for Milan and his willingness to make it a fairer, more international and more attractive place led him to commit himself to politics. Vaši inozemstvo oglasi ili inostranstvo oglasi su potpuno besplatni i ovde se oglašavaju srpska dijaspora, bosanska dijaspora, hrvatska dijaspora i domovina. He has been servile some large exhibition projects 1998 Onder den oranje boom, 2014 Preußen-Sachsen-Szenen einer Nachbarschaft. On the basis of the announced theme, 'Our heritage: where the past meets the future', the teams created short games from scratch, crafting all their aspects. Preko interneta se možemo dopisivati te komunicirati s ljudima iz bilo kojeg kraja svijeta. His servile responsibility is the legacy of the capital of culture. Osim toga, vrijeme u upoznavanje net forum europeo živimo sve manje vremena ostavlja za društveni život i upoznavanje tako da je društvo ovaj način upoznavanja postepeno prepoznalo kao posebnu vrijednost.